At the time, Jennison was exploring notions of ‘acousmatic sound’ in unknown territories, capturing sounds that can’t be heard or comprehended by the human ear. It involved a live performance in East Lichtenberg, Berlin. There, he built an ‘instrument’ in a district heating facility to capture the sounds of abandoned buildings and overground pipelines. The findings were collected and edited to create a continual loops of melodic rhythms that translate the spaces architectural landscape.